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Burrito Bros, Jefferson Airplane, Rolling Stones, Santana, Crosby Stills Nash and Young.how did we do it? Dec 6th 1969 forever changed. It was great seeing all the past members come together for a session. This was one of the hardest and funniest albums to record. Every song has a lords twist that is like a solid punch between the eyes. We covered at least one song every band that participated in Altamont.minus The Grateful Dead, who went home scared. Altamont was no joke, it changed the world, it changed rock n roll forever. The closing song and title track is the most free of the five on the album, with Stimson’s beat conjuring memories of Kyuss’s more mellow moments from Welcome to Sky Valley, Lalli’s bass marking the simplest of bottom ends and Arce having a ball over the top.Ĭensored by a controlling under powered label we have finally released the album as it was intended. Ryan’s violin returns in ‘The Secret Language of Elephants’, this time playing the role of keeping the main vamp alive while Arce’s guitar generates an evocative soundscape that opens in your mind a wide, violet sky like that above a desert the moment after the sun disappears for the night. The only problem with the song – and the album, as it happens – is that it is too short. Imagine if Can grew up near the beach, it’s that sort of vibe. Mario Lalli, the bass player, begins the third song, ‘Naomi Crayola’ with a throbbing single note, aided by Bill Stimson’s metronomic drumming. ‘Her Phantom Finger of Copenhagen’ is slightly darker and almost sounds, with the slight distortion on Arce’s guitar, as if it could have come from Pot Head, the EP the band released in 2005. Despite the titular connection to the Jimi Hendrix song, it bears no discernible resemblance to ‘The Wind Cries Mary’ and it is a deceptive number what seems such a simple, almost easy-listening song reveals more colour with every listen. Gary Arce, the guitarist, seems comfortable sitting on a single vamp throughout the opener ‘The Wind Cries Edalyn’, allowing the additions of violin and bandoleon accordion (played by the tango musicians Sara Ryan and Adolfo Trepiana, respectively) to weave melodies in between. Historical Graffiti is the band’s fourth full-length, out in 2016. Heavy Psych Sounds is reissuing the Yawning Man legendary album Historical Graffiti in brand new coloured vinyls.

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